Archive for category english
I thought I knew the Australian Curriculum for English almost inside out, but recently discovered a whole new box I had been leaving un-ticked.
It was the ScOT box.
What does ScOT stand for, you ask?
Schools Online Thesaurus.
If you go to their homepage (http://scot.curriculum.edu.au/) you can search for a relevant term to your field and see what you get. I searched for ‘literature’ and was directed to this:
…you can see some of the rabbit holes I’ve been down from there already.
I found such useful things in the thesaurus for the work I’m doing this week.
I also found the other data sets available in the Australian education vocabularies list:
For the English teachers still playing along – see ‘language modes’ in the list? Kinda specific thing to make a vocabulary about, I thought.
I clicked though and interestingly, the entry does not reflect all six language modes in the Australian Curriculum.
‘Creating’ has been left out.
Creating has been left out, despite being there plain as day in the Achievement Standards, the Aim, and the Glossary entry for ‘mode’ in English.
And there ends the list of all the things I needed to stop and show you.
Who I do I write to, to point this out?
Enjoy the thesaurus!
Ali Alizadeh is a poet listed on the prescribed text list for the senior English/EAL courses in Queensland from 2019-2021.
He is an Iranian-Australian (Persian-Australian? would appreciate any correction in comments), currently living in Melbourne and working at Monash university.
Both my creative writing and my literary scholarship interrogate the collisions between the political, the personal and the historical. Radical subjectivity, philosophies of history and theories of art are of particular interest to me. (Alizadeh’s bio, July 2018)
I searched for some preliminary resources for teachers wanting to learn about Ali Alizadeh, and here is what I found:
- Staff profile for Alizadeh at Monash University: http://profiles.arts.monash.edu.au/ali-alizadeh/
- Poetry International Web bio (with several linked articles): https://www.poetryinternationalweb.net/pi/site/poet/item/14574
- Poetica episode from 2nd November, 2013 (39 mins): http://www.abc.net.au/radionational/programs/archived/poetica/ali-alizardeh/5026248?
- Writers Victoria – Ali Alizadeh interviewed by Michelle McLaren, 24 May 2016: https://writersvictoria.org.au/writing-life/on-writing/exploring-the-distance-between-now-and-then
- Overland article – by Tara Mokhtari, June 2011: https://overland.org.au/2011/06/ali-alizadeh%E2%80%99s-%E2%80%98ashes-in-the-air%E2%80%99/ (loved this article!)
- Australian Book Review – review by Gig Ryan, April 2011: https://www.australianbookreview.com.au/abr-online/archive/2011/241-ali-alizadeh-ashes-in-the-air (full article is paywalled)
The earlier two volumes are called:
eliXir: a story in poetry, Grendon Press, Mont Albert, 2002
Eyes in Times of War, Salt Publishing, Cambridge, UK, 2006
A sample of Alizadeh’s poetry (poem extract):
Yes, I understand
your language. I’ve been learning
the lexicon of my inferiority
from behind the bars. I now know
how to spell and pronounce
the terms of my slavery. Your shackles
are called Security; your war
Operation Freedom; your cluster bombs
food parcels for my children. O master,
(extract from ‘Your terrorist’ (2006) on Poetry International Web: https://www.poetryinternationalweb.net/pi/site/poem/item/14577)
An extract from Mokhtari’s Overland article:
What really does it for me about Alizadeh’s poetry is that his subject matter is important. These poems are unlikely to bore a reader who shies away from the overtly political because they also engage in everyday scenarios and experiences. Alizadeh’s poems about cultural displacement take a different approach from many other Australian poets who write on the same theme but tend to dwell in the realm of sentimentalism (a natural, valid treatment of the theme, but one which may risk alienating un-empathetic readers). It’s as though these poems have ‘gotten over it’ just enough to allow a more sophisticated depth of knowing and exploration of the subject through everyday representations, without compromising emotion.
If you know of other resources that would interest Queensland English teachers who are considering Alizadeh’s poetry for QCE study, please consider sharing your links/info in comments below. Thank you!
English for Queensland (OUP) – Book cover and preview
After many months of sweat, sleepless nights and tears, I am excited to announce that a book I have co-authored with Lindsay Williams and Sophie Johnson will be out later this year through Oxford University Press. English for Queensland Units 1 & 2.
Book 2 next year will be for Units 3 and 4 (year 12).
(I know, I’m not supposed to say year 11 and year 12, but I’m not ready to give them up!)
It’s always a bit funny to publish work for a profit when you are so used to giving things away, as a rule. The good news is that I have so many resource and planning ‘offcuts’ from this book project that I still have plenty to share freely in the network!
No reflection other than that. Just a proud-moment post for a project that took a lot of creative energy and is edging toward ‘tangible product’ stage!
I have cause today to be trawling through the glossary in the new Queensland senior English syllabus, and these two terms caught my eye:
Making a note here, to remind me I have these terms in place to talk with senior English teachers about project based learning.
Prescribed Text Lists have been created for the first time in Queensland year 12 English, to specify texts for study that have been deemed to have “merit in genre and style”. The lists have this week been made available to the public, after a week of being available to only QLD teachers and QCAA approved users (a contrast to how NSW HSC lists were released earlier this year to media in advance of teachers).
There are two texts lists for:
These lists correspond with syllabuses for the three ‘general’ (i.e. leading to an ATAR) courses. The syllabuses were finalised this year for use starting with with year 11 in 2019:
I recorded my initial responses to the text lists in this vlog, with more analysis to come in the next few weeks:
NB. Extension English syllabus and text list are on a later development round and yet to be finalised. Essential English is an ‘applied’ (non-ATAR) subject, and will not have an associated text prescriptions list.
This semester I am attempting to demonstrate project based learning (PBL) in action by giving both of my classes an extra-curricular project to work on.
(More about whether these projects are in-or-extra to ‘the curriculum’ in an upcoming post…)
Pre-service teachers in my 3rd year English curriculum studies class are themselves focusing on how to use a PBL approach to design learning for junior secondary English. Their final assignment involves working in groups of 3-4 to create a PBL unit of work and assessment task/criteria sheets.
So, while we are learning about PBL, we are also doing PBL. And here is the project flyer:
We’re in Week 6 of a 9-week semester, and I already know that exploring ‘ways of speaking poetry’ is going to get squeezed out. That’s OK. My original goal of using the explore phase to offer a ‘smorgasbord’ of experiences has been usurped by getting to know the students and their needs – and they need to spend time going deeper into ways of reading and writing poetry. That’s cool – one of the things I am proud to model for my PSTs is they way plans have to change once real humans are involved. This need to teach in a responsive, agile way is understandably one of the things that new teachers find confronting, but ultimately it’s what effective teaching requires.
I’m at that critical stage of the project where I’m looking at the number of lessons left vs work that needs to get done to complete the project – eek!
My original plan was to get enough poetry artefacts to fill an entire display cabinet, but thankfully the cabinet has SHELVES, so our new goal is to fill 1-2 shelves only. Not a bad result it turns out, as it gives me space to run this project again next year and fill the cabinet progressively instead of all at once.
The whole project is supposed to take 6 weeks. By the second week I wished I had twice as much time! But that’s how teaching rolls, eh – PBL or no.
Will post pics of the finished cabinet display at the end of semester 🙂
Times are changing for senior assessment here in Queensland, and senior English has been radically re-written.
To catch you up if you’re just tuning in to this, some notable changes for English in QLD are:
- Reduction of summative assessment in Year 12 from 6 tasks to 4 tasks.
- The 4 tasks in Year 12 are all worth 25% each, and one of them is an external exam.
- There are five courses in the English suite: English, EAL, Essential English (replacing ‘English Communication’), and Literature (a new course in QLD). The fifth course English and Literature Extension, as well as the ‘applied’ subject Essential English, are still in draft.
- The external exam for English and Literature courses will be a single ‘analytical essay’ responding to unseen questions on their chosen text.
- Abolition of the existing Queensland Core Skills Test (the current method for scaling and moderating in-school subject rankings).
- We’re getting a prescribed text list (this is big news)!
The status and relationship of the five English courses is seen in Figure 1 of the English syllabus:
There are a couple of things I think the Queensland design has captured that make it an improvement on the HSC design I am familiar with from NSW.
For starters, the external exam is only one essay (not 2 x 2 hour papers), and it’s only worth 25% of the final grade. My hope is that reducing the weight of the external exam will see Queensland take up fewer exam-driven practices and less anxiety for students.
The next area that is a win is the retention of our work-and-community English course – now called Essential English – as an ‘applied’ course. Unfortunately the equivalent ‘English Studies’ course in NSW has been made ATAR eligible, which based on historical trends will see an over-enrolment in that course.
But wow there are some things that I miss about HSC English.
- I miss the way each module has a clear direction for the work – it’s a close study, a conceptual study, or a comparative study etc.
- I miss being able to choose what my internal assessments will be and how much weight they’ll have.
- I miss the terminology of ‘related texts’ and the sense that something has to be studied in a certain amount of depth to count as a core/prescribed text.
- I miss Macbeth and To Kill A Mockingbird being mostly left alone for junior English.
- I miss ‘persuasive’ being uncoupled from ‘speech’.
- I miss mandatory inclusion of multimodal assessment.
Watching both states redevelop senior English at the same time has been eye-opening. Lots of comparison work to come.